An Analysis of Three Recital Pieces by William Lloyd Webber

Barkoskie, Alvez, IV

An Analysis of Three Recital Pieces by William Lloyd Webber

dc.contributor.advisor	Ellis, Sarah
dc.contributor.author	Barkoskie, Alvez, IV
dc.contributor.committeeMember	Enrico, Eugene
dc.contributor.committeeMember	Spritzer, Damin
dc.contributor.committeeMember	Crowther, Kathleen
dc.date.accessioned	2021-12-13T17:35:00Z
dc.date.available	2021-12-13T17:35:00Z
dc.date.issued	2021-12-17
dc.date.manuscript	2021-12-02
dc.description.abstract	Born into a family of musicians, William Lloyd Webber (1914-1982), composed numerous pieces for the organ. Many of the pieces were published during his lifetime, but several more were found and published after his death by his family. This document presents detailed analysis of his Three recital pieces for organ. Each of the three pieces, “Prelude,” “Barcolle,” and “Nuptial march,” are analyzed separately as well as compared to one another to draw conclusions of the composer’s use of form, composition techniques, harmonic language, texture, organ registration, and any other notable musical observations. A brief biography is also included to provide a context for the composer’s work.	en_US
dc.identifier.uri	https://hdl.handle.net/11244/332306
dc.language	en_US	en_US
dc.subject	Music Theory	en_US
dc.subject	Organ works	en_US
dc.subject	William Lloyd Webber	en_US
dc.subject	Twentieth-Century Composition	en_US
dc.subject	Anglican	en_US
dc.subject	Sacred Music	en_US
dc.thesis.degree	D.M.A.	en_US
dc.title	An Analysis of Three Recital Pieces by William Lloyd Webber	en_US
ou.group	Weitzenhoffer Family College of Fine Arts::School of Music	en_US