Selected examples of the Crusader style icons in the Fred Jones Jr. Museum of Art

Grant, Spencer

Selected examples of the Crusader style icons in the Fred Jones Jr. Museum of Art

dc.contributor.advisor	Basic, Rozmeri
dc.contributor.author	Grant, Spencer
dc.contributor.committeeMember	Palmer, Allison
dc.contributor.committeeMember	Karathanasis, Constantinos
dc.date.accessioned	2022-12-09T19:38:28Z
dc.date.available	2022-12-09T19:38:28Z
dc.date.issued	2022-12-16
dc.date.manuscript	2022-12-07
dc.description.abstract	Before Constantinople fell in 1453, Byzantine-style iconography had been experiencing massive shifts in not only production, but also in manufacturing quantity and personal use. Two such pieces reminiscent of this shift are displayed in the Fred Jones Jr. Museum of Art as part of the Ambassador George Crews and Cecilia DeGoyler McGhee Collection of Icons at the Fred Jones Jr. Museum of art at The University of Oklahoma at Norman. These two works, Virgin and Child, Virgin of Consolation (Madonna della Consolazione) and The Virgin as the Life-Giving Spring are representative of the aforementioned variables, namely the effects of Crusaders and their art on the iconological canon, the emergence and prevalence of icons hailing from the Greek Ionian islands, and the influence of private patronage on thematic matter and function. By creating a historiographical timeline focusing on the influence of these variables of style, I identify the icons in the FJJMC as derivates of the works being manufactured around the thirteenth to fifteenth centuries	en_US
dc.identifier.uri	https://shareok.org/handle/11244/336907
dc.language	en	en_US
dc.subject	byzantine	en_US
dc.subject	byzantine art	en_US
dc.subject	crusades	en_US
dc.subject	medieval art	en_US
dc.thesis.degree	Master of Arts in Art History	en_US
dc.title	Selected examples of the Crusader style icons in the Fred Jones Jr. Museum of Art	en_US
ou.group	Weitzenhoffer Family College of Fine Arts::School of Visual Arts	en_US