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dc.contributor.advisorPalmer, Gus Jr.
dc.contributor.advisorSturm, Circe
dc.contributor.advisorWatson, Mary Jo
dc.contributor.advisorLinn, Mary S.
dc.creatorWilliams-O'Donnell, Katherine E.
dc.date.accessioned2018-10-02T19:16:03Z
dc.date.available2018-10-02T19:16:03Z
dc.date.issued2005
dc.identifier.citationWilliams-O'Donnell, K. (2005). American Indian Painters of Oklahoma : Artistic Negotiation in the Twentieth Century / by Katherine Williams-O'Donnell.
dc.identifier.urihttps://hdl.handle.net/11244/301813
dc.description.abstractThis work discusses the emergence of easel painting as an art form in Oklahoma American Indian communities and the commoditization of American Indian art during the twentieth century. The lives and art of five Muscogee Creek painters working during the twentieth century, Acee Blue Eagle, Solomon McCombs, Fred Beaver, Joan Hill and Enoch Kelly Haney, are documented and discussed. By examining each artist’s works, their personal biographies and changes in their artistic style, the author demonstrates the multiple ways in which artists respond to fluctuations within the market for American Indian art.
dc.format.extent211 pages
dc.format.extent7,550,186 bytes
dc.format.mediumapplication.pdf
dc.languageen_US
dc.subjectIndian art -- Oklahoma
dc.subjectIndian artists -- Oklahoma
dc.subjectIndian painters -- Oklahoma
dc.subjectAnthropology, Dept. of
dc.subjectAmerican Indian Painters
dc.subjectOklahoma Painters
dc.subjectArt as Commodity
dc.titleAmerican Indian painters of Oklahoma : artistic negotiation in the twentieth century.
dc.typetext
ou.groupCollege of Arts and Sciences::Department of Anthropology


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