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Now showing items 11-20 of 22
A comparison of thematic and episodic analyses of the Bach Two-Part Inventions.
(1980)
Sources from which the data was drawn were limited to counterpoint texts and an analysis of all fifteen Inventions. Three counterpoint texts were found to qualify: Applied Counterpoint (1902) by Percy Goetschius, Counterpoint ...
Editions of selected motets from Concerti sacri, opus 2 by Alessandro Scarlatti (1660-1725)
(1981)
The Concerti sacri, a set of ten motets, is the only volume of Alessandro Scarlatti's sacred music to be published during his lifetime. The purpose of this document was to prepare a modern performance edition of two of the ...
A catalog of the alto brass instruments in the Arne B. Larson Collection of Musical Instruments /
(The University of Oklahoma., 1985)
The purpose of this document is to provide a systematic register of the horns and other alto range brass instruments in the Arne B. Larson instrument collection. Of the 299 instruments detailed in this document, 73 are of ...
A discography of classical trombone/euphonium solo and ensemble music on long-playing records distributed in the United States.
(1980)
Purpose of the Study. The purpose of this study was to provide a comprehensive list of trombone and euphonium recordings in order that performers, teachers, students, composers, record collectors, and librarians might ...
Identification of percussion performance techniques in the standard orchestral percussion repertoire /
(1983)
Chapters III through IX provided a brief discussion of the various orchestral percussion instruments' history and physical characteristics as well as a summary of their basic performance techniques. Various passages from ...
Patterns of accentuation in the classical style as supported by primary sources and as illustrated in the late Masses of Franz Joseph Haydn.
(The University of Oklahoma., 1984)
This document concerns itself with aspects of late eighteenth-century performance practice, most notably, accentuation. The aspect of eighteenth-century style that is often neglected in twentieth-century performances is ...
George Crumb's Makrokosmos Volumes I and II :
(1981)
Background information includes a discussion of musical influences on Crumb. Among these are sounds influenced by electronic music, Debussy's interest in timbre and handling of the damper pedal, Webern's condensation of ...
Karlheinz Stockhausen's Klavierstuck XI :
(1984)
The analysis of the matrix system of serial polyphony resulted from the author's unaided study of Stockhausen's sketches. The duration proportion method of translating rhythm into pitch, however, was transmitted verbally ...
The identification and use of the Ave Maria Cantus firmus in sixteenth century motets /
(1984)
The purpose of this study was to search for and identify a specific Ave Maria cantus firmus that could serve as a core for possible use in Ave Maria motets throughout the sixteeenth century. The premise of the study was ...