The Islamic Republic of Iran is a revolutionary state which derives its legitimacy on the basis of revolutionary pan-Islamism. Despite this, as the memory of the revolution recedes into the past, Iranian nationalism and commitment to the revolutionary pan-Islamic ideal is fading. As time elapsed, the foundations of the government shifted from those core pan- Islamic beliefs to a more centralized protectorate state, illustrating how the government moved away from the idealism and more towards the traditional roles of the state. Despite the generally repressive nature of the state, some Iranians, especially directors, are able to use film to critique state actions and ideology for goals. An excellent example of cinematography as a social and political critique is Majid Majidi's Baran (2001), a film which highlights the discrepancy between theory and praxis by Iran and the Iranian people, and calls on Iran to act on the idea of Islamic charity and solidarity.