Browsing by Author "Conlon, Paula"
Now showing items 1-13 of 13
-
English Pastoralism in Ralph Vaughan Williams' Concerto for Oboe and Strings
Bramlett, KaDee (2017-05-12)Few would dispute that the Ralph Vaughan Williams Concerto for Oboe and Strings (1944) belongs to the pastoral expressive genre. Fewer, however, are able to explain, in great detail, which characteristics make it pastoral. ... -
J/psi meson production in association with a W boson: Cross section ratio measurement with the ATLAS detector using 8 TeV pp data from the Large Hadron Collider at CERN
Bertsche, David (2016-05-13)The production mechanism of charmonium particles in hadronic collisions is not fully understood and is an active area of research. These mechanisms can be studied by examining the associated production of charmonium particles ... -
Javanese Wayang Kulit Performed in the Classic Palace Style: An Analysis of Rama's Crown as Told by Ki Purbo Asmoro
Lam, Guan Yu (2016)The wayang kulit is the most widespread form of wayang (theatrical play/performance) in Indonesia, and is considered to be one of Indonesia’s highest art forms. In the modern Indonesian language, wayang can be translated ... -
Moonyeen Albrecht: A Biography of an American Twentieth-Century Composer and a Performance Guide to Four Psalms for Flute and Organ
Kellogg, Laura (2016-05)This document consists of a biography of American twentieth-century female composer Moonyeen Albrecht (b. 1936), a performance guide to her piece Four Psalms for Flute and Organ, and a discussion of the performance challenges ... -
Musical Mannerism: a Recurring Stylistic Phenomenon in Keyboard Variations by J.S. Bach, Beethoven, and Liszt
Lahan, Charles Jr (2016-08)ABSTRACT Mannerism was an artistic style that flourished in the sixteenth century between the High Renaissance and the emergence of the Baroque era. Originating in Rome and Florence in the 1520s, Mannerism eventually ... -
A Pedagogical and Performance Guide to Prokofiev's Four Pieces, Op. 32
Hurd, Ivan (2017)This document provides a pedagogical and performance guide to Sergei Prokofiev’s Four Pieces, Op. 32, a Twentieth Century work for solo piano that is appropriate for late-intermediate to early-advanced piano students. ... -
The Performer-Audience Connection: An Exploration of the Performative Power of Drag Queens in Oklahoma City
Negron, Cassandra (2016-08)This thesis explores the potential for empowerment that drag performance has on the lives of drag performers and their audience members. I have attended over one hundred drag performances in Oklahoma City from January 2015 ... -
Predictors of Work Engagement Among University Music Education Faculty
Hanan, David (2017-05-13)The purpose of this study was to determine which of the following variables were significant predictors of work engagement among music education faculty: (a) supervisor support, (b) university support, (c) job-related ... -
Prologue to Sounden Horn: A Phonetic Composition for Chamber Orchestra
McSperitt, Kenneth (2017-05-12)'Prologue to Sounden Horn' is a phonetic composition for chamber orchestra. Phonetic Composition is the orchestration of speech sounds for standard acoustic instruments. Spectrograms of audio recordings are used as a basis ... -
The Smaller Communities of Musical Practice: A Study of Multiple Music Teachers' Perspectives from El Sistema Oklahoma
Garner, Lani Aloha (2017-05-12)Abstract THE SMALLER COMMUNITIES OF MUSICAL PRACTICE: A STUDY OF MULTIPLE MUSIC TEACHERS’ PERSPECTIVES FROM EL SISTEMA OKLAHOMA LANI ALOHA GARNER University of Oklahoma School of Music, 2017 Major Professor: Dr. ... -
The fire dance of the Fort Sill Chiricahua/Warm Springs Apache
Aplin, Thomas C. (2002) -
Transcriptions and Choral Arrangements of Five Wichita Melodies
Gregg-Boothby, Tracey (2015-08)Preservation of Native American music is a timely and necessary endeavor. In the hopes of preserving the music of one Southern Plains tribe, this document examines five melodies and four choral arrangements of the Wichita ... -
UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034
Peck, Jennifer R. (2011-05)This document explores the affects of—or the use of emotions in—J. S. Bach’s Sonata for Flute in E minor, BWV 1034, by examining for potential connections Bach’s cantatas that were written contemporaneously. In the fall ...