(Re)-Placing the Music Salon

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dc.contributor.advisorJohnson, Jake
dc.contributor.authorLunday, Breanna
dc.contributor.committeeMemberYamane, Maxwell
dc.contributor.committeeMemberLuong, Vivian
dc.date.accessioned2024-07-30T15:37:06Z
dc.date.available2024-07-30T15:37:06Z
dc.date.issued2024-08-01
dc.date.manuscript2024-07-05
dc.description.abstractMusic salons have been a topic of interest amongst several fields of scholarship, including musicology, for many years. However, as these social gatherings move online due to the COVID-19 pandemic, I believe they are changing. In fact, both their characteristics and our relationships with music salons are changing. Due to these changes, we may not be able to recognize them where they have nestled themselves within the World Wide Web. This thesis aims to redefine our definitions of music salons and music salon culture by studying salons within the last 100 years that we might find “unusual.” These uncommon salon scenarios include the Deep Deuce neighborhood of Oklahoma City, Oklahoma, during the mid-1900s and the second wave of black metal music in early 1990s Norway. Exploring, becoming comfortable with, and embracing the unusual is a stepping stone in the journey of keeping up with today’s online salon culture.en_US
dc.identifier.urihttps://hdl.handle.net/11244/340539
dc.languageen_USen_US
dc.subjectunusual musicen_US
dc.subjectonline musicen_US
dc.subjectpandemic musicen_US
dc.thesis.degreeMaster of Musicen_US
dc.title(Re)-Placing the Music Salonen_US
ou.groupWeitzenhoffer Family College of Fine Arts::School of Musicen_US
shareok.nativefileaccessrestricteden_US

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