Staging American constraint: from containment to confinement post 1945

dc.contributor.advisorKeresztesi, Rita
dc.contributor.authorPickens, Mark Jr.
dc.contributor.committeeMemberAlpers, Ben
dc.contributor.committeeMemberMurphy, Tim
dc.contributor.committeeMemberWieser, Kim
dc.contributor.committeeMemberZeigler, Jim
dc.date.accessioned2020-05-05T20:52:03Z
dc.date.available2020-05-05T20:52:03Z
dc.date.issued2020-05-08
dc.date.manuscript2020-05-01
dc.description.abstractAn analysis of American plays from the mid-late 20th century, this study explores dramas representing and resisting social constraint on stage. It organizes its discussion around two primary forms of constraint understood to characterize the era: containment from roughly 1948-1968, and confinement from 1973 forward. Works by Tennessee Williams, Lorraine Hansberry, James Baldwin, Amiri Baraka, and Hanay Geiogamah are investigated, revealing how each dramatist employs rhetorical and aesthetic practices to engage forms of social constraint, thereby enacting resistance to varied forms of oppression such as the closeting of non-normative sexual identities and racist housing policies during the containment era, and oppressive law enforcement tactics aimed at quelling dissent and promoting mass incarceration during the era of confinement.en_US
dc.identifier.urihttps://hdl.handle.net/11244/324275
dc.languageen_USen_US
dc.rightsAttribution-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/*
dc.subjectContainmenten_US
dc.subjectSpaceen_US
dc.subjectConfinementen_US
dc.subjectAmerican theateren_US
dc.subject.lcshAmerican drama--20th century--History and criticism
dc.thesis.degreePh.D.en_US
dc.titleStaging American constraint: from containment to confinement post 1945en_US
ou.groupCollege of Arts and Sciences::Department of Englishen_US
shareok.nativefileaccessrestricteden_US
shareok.orcidhttps://orcid.org/0000-0001-8443-0849en_US

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