Integrating Applied Music Theory into the Violin Lesson: A Pedagogic Approach Linking Analysis with Technique and Musicality

dc.contributor.advisorSwinkin, Jeffrey
dc.contributor.authorEnsley, Heather
dc.contributor.committeeMemberLee, Yena
dc.contributor.committeeMemberRuck, Jonathan
dc.contributor.committeeMemberMarshall, Kim
dc.date.accessioned2026-08-10T19:15:12Z
dc.date.embargoExpiration
dc.date.issued2026
dc.date.proquestAvailable01/01/2026
dc.date.updated2026-08-10T19:15:12Z
dc.description.abstractViolin pedagogy traditionally prioritizes technical development and tone production over instruction in music theory and analysis, typically treating theory as a separate subject from violin study. Neglecting music theory rudiments and separating theory from violin study may contribute to violin students being underprepared for university-level music theory courses and having a limited ability to relate theory concepts to violin technique, repertoire, and expressive potentialities. In this dissertation, I address these issues by presenting a pedagogic approach that integrates music theory with technique and musicality. Using sample lesson scripts and annotated repertoire common to violin students (mostly drawn from the Suzuki Violin School), I demonstrate how to fuse knowledge of music theory concepts with kinaesthetic awareness to support technical development in areas such as shifting and double stops while deepening students’ musical understanding. I also show how comprehending the function of certain musical elements informs expressivity and how harmonic analysis can generate musical meaning. I include an overview of learning disabilities and cognitive disorders that can affect music theory learning and provide strategies for improved outcomes in violin students with learning disabilities or cognitive disorders. At each level of study, I cross-reference common student repertoire with popular music theory curricula (including the Royal Conservatory of Music’s Celebrate Theory series) to reveal key areas of divergence, such as when certain keys are introduced, that teachers should be aware of. This dissertation contributes a holistic pedagogical framework fully integrating technical development, music analysis, and interpretation. For violin students, such an approach can lead to greater technical facility, greater musical understanding, enhanced autonomous expression, and increased confidence in performance.
dc.identifier.urihttps://shareok.org/handle/11244/342864
dc.language.isoen
dc.publisherUniversity of Oklahoma – Graduate College
dc.subjectMusic
dc.subjectMusical Performances
dc.subjectMusic theory
dc.subjectmusic analysis
dc.subjectmusic theory
dc.subjectSuzuki violin
dc.subjectviolin lesson
dc.subjectviolin pedagogy
dc.subjectviolin performance
dc.thesis.degreeD.M.A.
dc.titleIntegrating Applied Music Theory into the Violin Lesson: A Pedagogic Approach Linking Analysis with Technique and Musicality
ou.groupMusic: Fine Arts

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