"MY HUSBAND? A WOMAN, A WOMAN, A WOMAN": CROSS-DRESSING AS SOCIOECONOMIC OPPORTUNITY IN THE EIGHTEENTH CENTURY

dc.contributor.advisorGarofalo, Daniela
dc.contributor.authorCraig, Callie
dc.contributor.committeeMemberCottom, Daniel
dc.contributor.committeeMemberSchleifer, Ronald
dc.date.accessioned2018-05-11T17:38:32Z
dc.date.available2018-05-11T17:38:32Z
dc.date.issued2018-05-11
dc.date.manuscript2018-04
dc.description.abstractDuring the evolutionary period that is the eighteenth century, constructing and differentiating between genders was contentious, as was establishing tenants of masculinity and femininity. Because of the era’s interlocking social and cultural components, eighteenth-century women viewed gender and sexuality as inextricable from their socioeconomic status. Eighteenth-century scholarship tends to overlook the intersectional motivations driving cross-dressed women. This thesis acknowledges cross-dressed women as enacting and performing the self, masculinity, gender, and sexuality; however, by analyzing Mary Hamilton as depicted in Henry Fielding’s The Female Husband and Charlotte Charke as depicted in her A Narrative of The Life of Mrs. Charlotte Charke, I maintain the aforementioned types of performance are fringe benefits of cross-dressed women’s primary motivation: socioeconomic mobility. By cross-dressing, Hamilton and Charke challenge established eighteenth-century gender binaries by reconfiguring sexuality, masculinity, and femininity in order to improve their socioeconomic standing.en_US
dc.identifier.urihttps://hdl.handle.net/11244/299904
dc.languageen_USen_US
dc.subject18th-century literatureen_US
dc.subjectcross-dressing womenen_US
dc.subjectCharlotte Charkeen_US
dc.subjectMary Hamiltonen_US
dc.thesis.degreeMaster of Artsen_US
dc.title"MY HUSBAND? A WOMAN, A WOMAN, A WOMAN": CROSS-DRESSING AS SOCIOECONOMIC OPPORTUNITY IN THE EIGHTEENTH CENTURYen_US
ou.groupCollege of Arts and Sciences::Department of Englishen_US

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