SYNTHESIS OF RUSSIAN AND WESTERN PERFORMING ART TRADITIONS IN VIOLIN MUSIC BY IVAN KHANDOSHKIN

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dc.contributor.advisorEnrico, Eugene
dc.contributor.authorGabdullin, Marat
dc.contributor.committeeMemberLee, Gregory
dc.contributor.committeeMemberNeumann, Mark
dc.contributor.committeeMemberLamb, Marvin
dc.contributor.committeeMemberStriz, Alfred
dc.date.accessioned2015-05-06T16:03:21Z
dc.date.available2015-05-06T16:03:21Z
dc.date.issued2015-05
dc.date.manuscript2015-05
dc.description.abstractThe notion of Russian violin school, in the broad sense, is often associated with the name of Leopold Auer and his disciples. However, few are aware that the violin performing art existed in Russia long before Auer's time and that most characteristics of the Russian violin school had already been formed in the 18th century. The man who stood at the forefront of this formation was Ivan Yevstafievich Khandoshkin. This document explores the historical pre-conditions of the formation of the Russian violin school as well as observes the influence of Russian folk and Western performing traditions in the music by Ivan Khandoshkin. Finally, it provides the author's recommendations on violin performance practice.en_US
dc.identifier.urihttp://hdl.handle.net/11244/14573
dc.languageen_USen_US
dc.subjectRussian Violin Schoolen_US
dc.thesis.degreeD.M.A.en_US
dc.titleSYNTHESIS OF RUSSIAN AND WESTERN PERFORMING ART TRADITIONS IN VIOLIN MUSIC BY IVAN KHANDOSHKINen_US
ou.groupWeitzenhoffer Family College of Fine Arts::School of Musicen_US
shareok.nativefileaccessrestricteden_US

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