An Analysis of Selected Percussion Ensemble Arrangements

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dc.contributor.advisorWakefield, William K||Drege, Lance
dc.creatorMoyer, Iain
dc.date.accessioned2019-06-03T20:36:17Z
dc.date.available2019-06-03T20:36:17Z
dc.date.issued2010
dc.description.abstractThe emergence of the percussion ensemble in the early twentieth century and its continued expansion into the twenty-first has resulted in a substantial amount of new music for this relatively young musical genre. This unique collection of instruments has fostered not only original compositions, but also countless arrangements in a wide variety of styles.
dc.description.abstractThis document will examine three exemplary percussion ensemble arrangements. These pieces will be analyzed to ascertain how the arranger constructed an effective percussive rendering of the original symphonic work. Furthermore, each of the percussion arrangers included in this study will be interviewed to understand what elements of the original symphonic material influenced the creation of their percussion ensemble arrangement.
dc.description.abstractThe commonalities and differences between these three arrangements will be scrutinized in order to understand basic principles of effective percussion arranging. These principles will be synthesized into arranging guidelines that can be used by the next generation of percussion arrangers. Lastly, recommendations for further research on the subject of percussion arranging will be included.
dc.format.extent207 pages
dc.format.mediumapplication.pdf
dc.identifier9986875702042
dc.identifier.urihttps://hdl.handle.net/11244/320243
dc.languageen_US
dc.relation.requiresAdobe Acrobat Reader
dc.subjectPercussion ensembles--Analysis, appreciation
dc.subjectPercussion ensembles--History and criticism
dc.thesis.degreeD.M.A.
dc.titleAn Analysis of Selected Percussion Ensemble Arrangements
dc.typetext
dc.typedocument
ou.groupWeitzenhoffer Family College of Fine Arts::School of Music

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