Rhetoric and Gesture in the Performance of Seventeenth-Century Vocal Music

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dc.contributor.advisorSaltzstein, Jennifer
dc.contributor.authorKvilhaug, Danur
dc.contributor.committeeMemberEnrico, Eugene
dc.contributor.committeeMemberSwinkin, Jeffrey
dc.date.accessioned2016-05-13T20:37:14Z
dc.date.available2016-05-13T20:37:14Z
dc.date.issued2016
dc.date.manuscript2016
dc.description.abstractIn this document I approach the performance of seventeenth-century vocal music via rhetorically-informed analytical procedures. I draw from primary sources such as Quintilian's Institutio Oratoria and several seventeenth and eighteenth-century treatises, as well as secondary literature on rhetoric and Historically Informed Performance. I then provide three case studies of analytical procedures in the performance of seventeenth century vocal music.en_US
dc.identifier.urihttp://hdl.handle.net/11244/34687
dc.languageen_USen_US
dc.subjectRhetoricen_US
dc.subjectBaroqueen_US
dc.subjectVocal Musicen_US
dc.subjectHistorically Informed Performanceen_US
dc.thesis.degreeMaster of Musicen_US
dc.titleRhetoric and Gesture in the Performance of Seventeenth-Century Vocal Musicen_US
ou.groupWeitzenhoffer Family College of Fine Arts::School of Musicen_US
shareok.nativefileaccessrestricteden_US

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