Tolkien's Faerian Drama: Origins and Valedictions
| dc.contributor.author | Croft, Janet Brennan | |
| dc.date.accessioned | 2014-04-09T21:21:30Z | |
| dc.date.accessioned | 2016-03-30T15:33:02Z | |
| dc.date.available | 2014-04-09T21:21:30Z | |
| dc.date.available | 2016-03-30T15:33:02Z | |
| dc.date.issued | 2014 | |
| dc.description | This paper was first read at The Return of the Rings, Loughborough, August 2012. | en_US |
| dc.description.abstract | I attempt to define the characteristics of Tolkien’s concept of “Faërian Drama,” and how it differs from the medieval dream-vision, through the way it changes the lives of dreamers such as Scrooge, the Pearl poet, and Smith of Wootton Major. | en_US |
| dc.description.peerreview | Yes | en_US |
| dc.description.peerreviewnotes | Articles by Mythlore editorial staff and society board memebers are reviewed by a minimum of two outside referees. The process is double-blind. | en_US |
| dc.identifier.uri | http://hdl.handle.net/11244/8110 | |
| dc.language | en_US | en_US |
| dc.subject | Literature, English. | en_US |
| dc.title | Tolkien's Faerian Drama: Origins and Valedictions | en_US |
| dc.type | Article | en_US |