Absurd Evolution: Neil Labute and The Progression of the Theatre of the Absurd

Abstract

"An Absurd Evolution: Neil LaBute and the Progression of the Theatre of the Absurd" explores the Absurdist movement in terms of its influence on contemporary drama. Despite Martin Esslin's argument that the Theatre of the Absurd is a European post-World War II phenomenon, contemporary American playwrights have successfully utilized and developed the Absurd. Namely, the drama of Neil LaBute has not only been influenced by the major Absurdist playwrights, but his works parallel and progress the movement to address contemporary concerns. This thesis explores four of his major works: The Mercy Seat, Fat Pig, The Shape of Things, Reasons to Be Pretty. The introduction discusses the Absurdist movement in terms of how it is defined by Martin Esslin. Chapter II looks into Absurdism as a post-disaster phenomenon by comparing The Mercy Seat to Beckett's Endgame in regards to the influence of trauma on characters' decisions. Both of these plays are set post-catastrophe, and the plots revolve around the main characters having to make a decision. Chapter III explores cruelty, fear, and the desire for power often found in the Theatre of the Absurd by analyzing Fat Pig in comparison to Genet's The Balcony. Chapter IV focuses on Self versus the Other in The Shape of Things and Pinter's The Dumb Waiter. Chapter V analyzes Reasons to Be Pretty, LaBute's newest play, in depth regarding the themes and characteristics of the Absurd. The goal of "An Absurd Evolution" is to prove that Neil LaBute is not merely influenced by the Theatre of the Absurd, but may be considered one of the movement's great contributors.