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dc.contributor.advisorMagrath, Jane,en_US
dc.contributor.authorSisterhen, Lesley Ann.en_US
dc.date.accessioned2013-08-16T12:19:51Z
dc.date.available2013-08-16T12:19:51Z
dc.date.issued2005en_US
dc.identifier.urihttps://hdl.handle.net/11244/892
dc.description.abstractThis document presents information on how imagery, mental practice, and relaxation techniques may be used by musicians and music teachers to enhance performance. In the present study, imagery was defined as a mental process in which an individual consciously imagines an ideal performance in his or her mind. Its effects on performance have been studied extensively in the field of sport psychology. This type of imagery is usually preceded by relaxation techniques which help the musician to associate the simulated performance with a state of calmness and control. Mental practice, a specialized form of imagery, involves more detailed rehearsal and is usually used in the beginning stages of motor learning. The author investigated the impact of these techniques on the areas of self-efficacy or confidence, regulation of anxiety, concentration, and memory in an exploratory study with five graduate pianists.en_US
dc.format.extentxv, 377 leaves ;en_US
dc.subjectMusic.en_US
dc.subjectStress relaxation.en_US
dc.subjectMusic Performance.en_US
dc.subjectPiano Performance.en_US
dc.titleThe use of imagery, mental practice, and relaxation techniques for musical performance enhancement.en_US
dc.typeThesisen_US
dc.thesis.degreeD.M.A.en_US
dc.thesis.degreeDisciplineSchool of Musicen_US
dc.noteMajor Professor: Jane Magrath.en_US
dc.noteSource: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1556.en_US
ou.identifier(UMI)AAI3174357en_US
ou.groupWeitzenhoffer Family College of Fine Arts::School of Music


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