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dc.contributor.advisorGipson, Richard C.,en_US
dc.contributor.authorRoberts, Bruce E.en_US
dc.date.accessioned2013-08-16T12:18:52Z
dc.date.available2013-08-16T12:18:52Z
dc.date.issued2003en_US
dc.identifier.urihttps://hdl.handle.net/11244/560
dc.description.abstractThe study's objective was to supplement the available information regarding the development of mallet ensemble literature in the United States. Methods employed relied on historical inquiry through both quantitative and qualitative studies by pedagogues, interviews, and selected analyses of historically significant mallet ensemble compositions. Comprehensive chronological lists of mallet ensemble literature were included in the appendices. The results indicate that four definable eras emerged in the historical development of mallet ensemble literature (i.e. 1907--1929; 1930--1953; 1954--1977; 1978--2001). This study's conclusions indicate that each era identified encompassed approximately twenty-three years thus indicating a generational growth spurred by key proponents in the development of mallet ensemble literature, and further studies must be conducted to foster further awareness and growth of the mallet ensemble medium and its literature.en_US
dc.format.extentx, 450 leaves :en_US
dc.subjectMusic.en_US
dc.subjectPercussion instruments in literature.en_US
dc.subjectPercussion instruments United States.en_US
dc.titleThe emergence and development of mallet ensemble literature in the United States: 1894--2001, with analyses of selected works.en_US
dc.typeThesisen_US
dc.thesis.degreeD.M.A.en_US
dc.thesis.degreeDisciplineSchool of Musicen_US
dc.noteSource: Dissertation Abstracts International, Volume: 64-01, Section: A, page: 0021.en_US
dc.noteAdviser: Richard C. Gipson.en_US
ou.identifier(UMI)AAI3078945en_US
ou.groupWeitzenhoffer Family College of Fine Arts::School of Music


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