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dc.contributor.advisorBremer, Carolyn,en_US
dc.contributor.authorMcclure, Casey Shawn.en_US
dc.contributor.authorMcclure, Casey Shawn, Quanah.en_US
dc.date.accessioned2013-08-16T12:29:49Z
dc.date.available2013-08-16T12:29:49Z
dc.date.issued1997en_US
dc.identifier.urihttps://hdl.handle.net/11244/5525
dc.description.abstractThe ballet Quanah is a four-movement work based on the life of Quanah Parker, the last Comanche Chief. The synopses of the first and last movements portray the minutes preceding his death, while the synopses of the second and third movements are his flashbacks to two key events in his life: his role in the attack on the white buffalo-hunters at the Battle of Adobe Walls in 1874, and his part in the surrender of his tribe to the U.S. military in 1875.en_US
dc.description.abstractTo eliminate my subconscious dependence on three habitual cognitive paradigms, I divided my compositional process into two distinct parts: decisions affecting large-scale boundaries and general content, and the use of chance procedures to determine small-scale relationships and specific values. Applying these new processes, I translated my original conception of the music accurately. The continual amalgamation of stasis and continuous change in the music reflects my desired ethic.en_US
dc.format.extentvi, 171 leaves :en_US
dc.subjectBiography.en_US
dc.subjectDance.en_US
dc.subjectParker, Quanah, 1845?-1911.en_US
dc.subjectBallets Scoresen_US
dc.subjectMusic.en_US
dc.titleBackground, description, and analysis of the ballet "Quanah".en_US
dc.typeThesisen_US
dc.thesis.degreeD.M.A.en_US
dc.thesis.degreeDisciplineSchool of Musicen_US
dc.noteAdviser: Carolyn Bremer.en_US
dc.noteSource: Dissertation Abstracts International, Volume: 58-08, Section: A, page: 2899.en_US
ou.identifier(UMI)AAI9806318en_US
ou.groupWeitzenhoffer Family College of Fine Arts::School of Music


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