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dc.contributor.advisorKruer, Matthew
dc.contributor.authorDawson, Patricia
dc.date.accessioned2017-06-07T21:00:24Z
dc.date.available2017-06-07T21:00:24Z
dc.date.issued2017-05-12
dc.identifier.urihttps://hdl.handle.net/11244/50932
dc.description.abstractIn the decades leading up to Removal, Cherokees underwent a variety of sartorial changes. This thesis examines these changes, the resulting tensions, and the use of clothing as a weapon of resistance against Removal. Rather than acculturation or selective adoption, these sartorial changes represent indigenous cultural innovation. Cherokees reinforced their culture not through static adherence to “traditional” dress, but through innovation. These changes were indigenous and the result of an internal struggle over sartorial identity. Through narratives of sartorial transformation, Cherokees presented themselves as sufficiently acculturated and “civilized,” thus using dress as part of the identity process and as a means of presenting a different identity that emphasized “civilization” and affinity to Euro-American culture. Cherokees used sartorial innovation as acts of identity and as a weapon of resistance against Euro-American encroachment.en_US
dc.languageen_USen_US
dc.subjectHistory, United States.en_US
dc.subjectClothingen_US
dc.subjectHistory of Dressen_US
dc.subjectCherokeeen_US
dc.subjectNative American Historyen_US
dc.subjectIndian Removalen_US
dc.titleThe Weapon of Dress: Identity and Innovation in Cherokee Clothing, 1794-1838en_US
dc.contributor.committeeMemberWatson, Mary Jo
dc.contributor.committeeMemberKelly, Catherine E.
dc.date.manuscript2017
dc.thesis.degreeMaster of Artsen_US
ou.groupCollege of Arts and Sciences::Department of Historyen_US
shareok.orcid0000-0003-0480-8923en_US
shareok.nativefileaccessrestricteden_US


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