dc.contributor.advisor | Hallemeier, Katherine | |
dc.contributor.author | Poston, Elise Mackenzie | |
dc.date.accessioned | 2017-02-22T22:16:12Z | |
dc.date.available | 2017-02-22T22:16:12Z | |
dc.date.issued | 2016-05-01 | |
dc.identifier.uri | https://hdl.handle.net/11244/49142 | |
dc.description.abstract | In this portfolio I first introduce the content of my work throughout my graduate studies in my Portfolio Statement. I then begin my lead paper on the gendered technological bodies present in Karl ?apek�s play R.U.R. and the film Ex Machina. I interrogate both works in light of N. Katherine Hayles�s seminal work How We Became Posthuman in order to demonstrate how gendered technological bodies present a problem to the kind of utopian posthumanism Hayles theorizes. | |
dc.format | application/pdf | |
dc.language | en_US | |
dc.rights | Copyright is held by the author who has granted the Oklahoma State University Library the non-exclusive right to share this material in its institutional repository. Contact Digital Library Services at lib-dls@okstate.edu or 405-744-9161 for the permission policy on the use, reproduction or distribution of this material. | |
dc.title | Portfolio in English Literature: Programmed to Flirt: The Gendered Technological Body in R.U.R and Ex Machina | |
dc.contributor.committeeMember | Austin, Linda | |
dc.contributor.committeeMember | Brooks, Ron | |
osu.filename | Poston_okstate_0664M_14628.pdf | |
osu.accesstype | Open Access | |
dc.description.department | English | |
dc.type.genre | Thesis | |
dc.type.material | text | |