| dc.contributor.author | Kim, Kyoung-im, | en_US |
| dc.date.accessioned | 2013-08-16T12:27:56Z | |
| dc.date.available | 2013-08-16T12:27:56Z | |
| dc.date.issued | 1980 | en_US |
| dc.identifier.uri | https://hdl.handle.net/11244/4680 | |
| dc.format.extent | 2 v. in 1. : | en_US |
| dc.subject | Music. | en_US |
| dc.title | A critical analysis of the first movements of Schumann's piano sonatas, Opus 11 and Opus 22. | en_US |
| dc.type | Thesis | en_US |
| dc.thesis.degree | D.M.A. | en_US |
| dc.thesis.degreeDiscipline | School of Music | en_US |
| dc.note | Source: Dissertation Abstracts International, Volume: 40-12, Section: A, page: 6062. | en_US |
| ou.identifier | (UMI)AAI8012285 | en_US |
| ou.group | Weitzenhoffer Family College of Fine Arts::School of Music | |
