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dc.contributor.advisorFast, Barbara
dc.contributor.authorYu, Dan
dc.date.accessioned2022-07-21T19:53:06Z
dc.date.available2022-07-21T19:53:06Z
dc.date.issued2022-08-04
dc.identifier.urihttps://hdl.handle.net/11244/335952
dc.description.abstractThis document studies Xu Zhenmin’s Two Poem Classics of the Tang Dynasty and Gong Xiaoting’s Three Preludes, and discusses how ancient Chinese poetry and literati music influence these two modern Chinese piano compositions. The author will introduce the general styles of the poetry in the Tang dynasty and the ci of the Song dynasty, the style of ancient Chinese literati music, and the timbre characteristics of guqin — one of the representative instruments of ancient Chinese literati music. Building on this understanding, the author will demonstrate how the elements of ancient Chinese poetry and literati music manifest in the two works of Xu and Gong. This document will also provide musical analyses and discuss performance interpretation of these two works.en_US
dc.languageen_USen_US
dc.rightsAttribution-NonCommercial-ShareAlike 4.0 International*
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/*
dc.subjectChinese Piano Musicen_US
dc.subjectAncient Chinese Literati Musicen_US
dc.subjectXu Zhenminen_US
dc.subjectGong Xiaotingen_US
dc.subjectYijingen_US
dc.subjectAncient Chinese Poetryen_US
dc.titleA study of two piano works and their roots in ancient Chinese poetry and literati music: Two poem classics of the Tang Dynasty by Xu, Zhenmin (b. 1934) and Three preludes by Gong, Xiaoting (b. 1970)en_US
dc.contributor.committeeMemberLipinski, Igor
dc.contributor.committeeMemberLamb, Marvin
dc.contributor.committeeMemberLiu, Nian
dc.date.manuscript2022-06-29
dc.thesis.degreeD.M.A.en_US
ou.groupWeitzenhoffer Family College of Fine Arts::School of Musicen_US


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Attribution-NonCommercial-ShareAlike 4.0 International
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-ShareAlike 4.0 International