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dc.contributor.advisorEllis, Sarah
dc.contributor.authorBarkoskie, Alvez, IV
dc.date.accessioned2021-12-13T17:35:00Z
dc.date.available2021-12-13T17:35:00Z
dc.date.issued2021-12-17
dc.identifier.urihttps://hdl.handle.net/11244/332306
dc.description.abstractBorn into a family of musicians, William Lloyd Webber (1914-1982), composed numerous pieces for the organ. Many of the pieces were published during his lifetime, but several more were found and published after his death by his family. This document presents detailed analysis of his Three recital pieces for organ. Each of the three pieces, “Prelude,” “Barcolle,” and “Nuptial march,” are analyzed separately as well as compared to one another to draw conclusions of the composer’s use of form, composition techniques, harmonic language, texture, organ registration, and any other notable musical observations. A brief biography is also included to provide a context for the composer’s work.en_US
dc.languageen_USen_US
dc.subjectMusic Theoryen_US
dc.subjectOrgan worksen_US
dc.subjectWilliam Lloyd Webberen_US
dc.subjectTwentieth-Century Compositionen_US
dc.subjectAnglicanen_US
dc.subjectSacred Musicen_US
dc.titleAn Analysis of Three Recital Pieces by William Lloyd Webberen_US
dc.contributor.committeeMemberEnrico, Eugene
dc.contributor.committeeMemberSpritzer, Damin
dc.contributor.committeeMemberCrowther, Kathleen
dc.date.manuscript2021-12-02
dc.thesis.degreeD.M.A.en_US
ou.groupWeitzenhoffer Family College of Fine Arts::School of Musicen_US


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