Show simple item record

dc.contributor.advisorStoops, Anthony
dc.contributor.authorStamatis, Katrin
dc.date.accessioned2019-12-12T22:54:21Z
dc.date.available2019-12-12T22:54:21Z
dc.date.issued2019-12
dc.identifier.urihttps://hdl.handle.net/11244/322863
dc.description.abstractRuth Schonthal (1924-2006) achieved a modest level of fame as a composer, pianist, and composition teacher, yet many of her works are not known by a wide audience. Schonthal was one of many twentieth-century composers who characterized their works as neo-romantic, while still maintaining modernist techniques. In this thesis, I will examine Schonthal's entire oeuvre of works for violin and demonstrate how they maintain neo-romantic elements, while simultaneously upholding modernist archetypes. I will examine the following compositions for violin: Sonata in e (1961/62), Ode to a Departing Swan (1964), Improvisations (1994), and finally Little Suite for 2 Violins (2002). I will analyze their form, harmonic structure, the use of gesture, and their melodic elements. The paper also will also incorporate a discussion of pertinent technical violinistic considerations.en_US
dc.languageen_USen_US
dc.subjectSchonthal, Ruthen_US
dc.subjectViolinen_US
dc.subjectViolin Pedagogyen_US
dc.subjectTwentieth century violin worksen_US
dc.titleTHE VIOLIN WORKS OF RUTH SCHONTHAL: A MUSICAL ANALYSIS AND GUIDE TO PERMORMANCEen_US
dc.contributor.committeeMemberGrinberg, Ronnie
dc.contributor.committeeMemberEllis, Sarah
dc.contributor.committeeMemberKoh, Min-Jeong
dc.contributor.committeeMemberLee, Gregory
dc.date.manuscript2019-12-12
dc.thesis.degreeD.M.A.en_US
ou.groupWeitzenhoffer Family College of Fine Arts::School of Musicen_US
shareok.nativefileaccessrestricteden_US


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record