The Ballets Russes in Spain: The Historical Fusion of Flamenco and Classical Ballet

File Marangon, Barbara

dc.contributor.advisor	Holt, Mary Margaret
dc.contributor.author	File Marangon, Barbara
dc.date.accessioned	2019-05-10T16:06:54Z
dc.date.available	2019-05-10T16:06:54Z
dc.date.issued	2019
dc.identifier.uri	https://hdl.handle.net/11244/319691
dc.description.abstract	The objective of this project was to discover the connection between Flamenco Dance and Classical Ballet and if it created a third dance form. What did Flamenco Dance contribute to the Ballets Russes on their Spanish detour from 1917-18? What did the famous ballet company give to Flamenco? These were questions discussed. The two nomadic groups met through the interest and passion of one choreographer, Leonide Massine. Through the practice of Flamenco Dance, I discovered how a ballet choreographer/dancer experienced this dance form. The result is Massine's Three-cornered Hat ballet melding Flamenco and Classical Ballet.The significance of this study stimulates future research in the hybrids of other dance forms.	en_US
dc.rights	Attribution-NoDerivatives 4.0 International	*
dc.rights.uri	https://creativecommons.org/licenses/by-nd/4.0/	*
dc.subject	Ballets Russes	en_US
dc.subject	Flamenco	en_US
dc.subject	Three-cornered Hat	en_US
dc.subject	Massine	en_US
dc.title	The Ballets Russes in Spain: The Historical Fusion of Flamenco and Classical Ballet	en_US
dc.contributor.committeeMember	Dossev, Boyko
dc.contributor.committeeMember	Palmer, Allison
dc.contributor.committeeMember	Holguín, Sandie
dc.date.manuscript	2019-04
dc.thesis.degree	Master of Fine Arts in Dance	en_US
ou.group	Weitzenhoffer Family College of Fine Arts::School of Dance	en_US