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dc.contributor.advisorWakefiled, William K.||Shames, Jonathan
dc.creatorDeSpain, Wesley Kevin
dc.date.accessioned2019-04-27T21:30:34Z
dc.date.available2019-04-27T21:30:34Z
dc.date.issued2010
dc.identifier99252980302042
dc.identifier.urihttps://hdl.handle.net/11244/318863
dc.description.abstractWhile Karl Goldmark was an internationally-known composer and respected teacher in the late nineteenth century, his music is not widely known among performers and audiences today. This document attempts to address this lack by introducing the reader to the unique and interesting features of Goldmark's style through an investigation of his first large-scale symphonic work, Symphonie Ländliche Hochzeit (Rustic Wedding Symphony), Op. 26. In support of the view that Goldmark's style represents a synthesis of the antithetical approaches of Brahms and Wagner, it examines the elements of Rustic Wedding that stem from the symphonic tradition ("something old") as well as those unique to him ("something new").
dc.format.extent116 pages
dc.format.mediumapplication.pdf
dc.languageen_US
dc.relation.requiresAdobe Acrobat Reader
dc.subjectMusic
dc.titleSomething Old, Something New: The Rustic Wedding Symphony of Karl Goldmark
dc.typetext
dc.typedocument
dc.thesis.degreeD.M.A.
ou.groupWeitzenhoffer Family College of Fine Arts::School of Music


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