| dc.contributor.author | Osburn, Skyler | |
| dc.date.accessioned | 2019-02-06T19:54:44Z | |
| dc.date.available | 2019-02-06T19:54:44Z | |
| dc.date.issued | 2018-05-04 | |
| dc.identifier | oksd_osburn_HT_2018 | |
| dc.identifier.uri | https://hdl.handle.net/11244/317149 | |
| dc.description.abstract | David Lynch's films often slip through the cracks of traditional philosophizing and film-theorization. This project attempts to bring non-western intellectual paradigms and post-structuralist interventions into a productive conversation with Lynch's singular aesthetic mode. To this end, I will be rehearsing and comparing the nondual psychology and cosmology of Zen Buddhism, the psycho-semiotic register theory of Jacques Lacan, and the temporal philosophy of Gilles Deleuze; all three recapitulations will be mobilized by close readings of Mulholland Drive and the three current iterations of Twin Peaks. | |
| dc.format | application/pdf | |
| dc.language | en_US | |
| dc.rights | Copyright is held by the author who has granted the Oklahoma State University Library the non-exclusive right to share this material in its institutional repository. Contact Digital Library Services at lib-dls@okstate.edu or 405-744-9161 for the permission policy on the use, reproduction or distribution of this material. | |
| dc.title | Lynch and non-Lynch: A cinematic engagement with process philosophies east and west | |
| osu.filename | oksd_osburn_HT_2018.pdf | |
| osu.accesstype | Open Access | |
| dc.type.genre | Honors Thesis | |
| dc.type.material | Text | |
| dc.contributor.director | Menne, Jeff | |
| dc.contributor.facultyreader | Heitz, Marty | |
| thesis.degree.discipline | English | |
| thesis.degree.discipline | Philosophy | |
| thesis.degree.grantor | Oklahoma State University | |
