dc.contributor.advisor | Milstead, John | |
dc.contributor.author | Nandyal, Ramakrishna | |
dc.date.accessioned | 2015-11-09T22:23:29Z | |
dc.date.available | 2015-11-09T22:23:29Z | |
dc.date.issued | 1988-05 | |
dc.identifier.uri | https://hdl.handle.net/11244/21273 | |
dc.format | application/pdf | |
dc.language | en_US | |
dc.rights | Copyright is held by the author who has granted the Oklahoma State University Library the non-exclusive right to share this material in its institutional repository. Contact Digital Library Services at lib-dls@okstate.edu or 405-744-9161 for the permission policy on the use, reproduction or distribution of this material. | |
dc.title | Thematic unity in the early Vonnegut fiction: Player Piano (1952) to Slapstick (1976) | |
dc.contributor.committeeMember | Berkeley, David Shelley | |
dc.contributor.committeeMember | Walkiewicz, E. P. | |
dc.contributor.committeeMember | Hackett, Neil J. | |
osu.filename | Thesis-1988D-N176t.pdf | |
osu.accesstype | Open Access | |
dc.type.genre | Dissertation | |
dc.type.material | Text | |
thesis.degree.discipline | English | |
thesis.degree.grantor | Oklahoma State University | |