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dc.contributor.advisorRollins, Peter
dc.contributor.authorElder, Harris James
dc.date.accessioned2015-10-14T21:36:54Z
dc.date.available2015-10-14T21:36:54Z
dc.date.issued1976-07-01
dc.identifier.urihttps://hdl.handle.net/11244/19560
dc.description.abstractMy first exposure to compilation films was through television in the 1950's. To this day I recall my reaction to these exciting images, now conspicuous documents of the Cold War. Since then, the use of archival footage has increased--but not always with increased responsibility. The question of how a compilation can be assembled responsibly is one that must be asked by anyone who expects an intelligent response to films viewed.
dc.formatapplication/pdf
dc.languageen_US
dc.publisherOklahoma State University
dc.rightsCopyright is held by the author who has granted the Oklahoma State University Library the non-exclusive right to share this material in its institutional repository. Contact Digital Library Services at lib-dls@okstate.edu or 405-744-9161 for the permission policy on the use, reproduction or distribution of this material.
dc.titleCompilation Film: Principles and Potentials of a Documentary Genre
dc.typetext
dc.contributor.committeeMemberRohrberger, Mary
dc.contributor.committeeMemberBerkeley, David S.
osu.filenameThesis-1976-E37c.pdf
osu.accesstypeOpen Access
dc.description.departmentEnglish
dc.type.genreThesis


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