dc.contributor.advisor | Rohrberger, Mary | |
dc.contributor.author | Snowder, Frances Eileen | |
dc.date.accessioned | 2015-09-23T18:30:13Z | |
dc.date.available | 2015-09-23T18:30:13Z | |
dc.date.issued | 1978-05-01 | |
dc.identifier.uri | https://hdl.handle.net/11244/18694 | |
dc.description.abstract | Previous studies have understood and interpreted Poe's color use in psychological or traditional terms. Poe, however, was a conscientious craftsman whose every word, as he himself said, contributed to the total effect of each of his tales. His color use is, therefore, unique in each tale, as each story differs from the others in content and effect. This paper, therefore, seeks to establish Poe's artistry andunderscore the significant role color symbolism, specifically, and pictorialism, more generally, contribute to the effectiveness of his Tales of Terror. | |
dc.format | application/pdf | |
dc.language | en_US | |
dc.publisher | Oklahoma State University | |
dc.rights | Copyright is held by the author who has granted the Oklahoma State University Library the non-exclusive right to share this material in its institutional repository. Contact Digital Library Services at lib-dls@okstate.edu or 405-744-9161 for the permission policy on the use, reproduction or distribution of this material. | |
dc.title | Unique Color Symbology in Poe's Tales of Terror | |
dc.type | text | |
dc.contributor.committeeMember | Kidney, Jennifer | |
dc.contributor.committeeMember | Keeler, Clinton | |
osu.filename | Thesis-1978-S674u.pdf | |
osu.accesstype | Open Access | |
dc.description.department | English | |
dc.type.genre | Thesis | |