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dc.contributor.advisorLeavell, Linda
dc.contributor.authorTurner, Janele Johnson
dc.date.accessioned2015-08-19T16:06:47Z
dc.date.available2015-08-19T16:06:47Z
dc.date.issued1988-05-01
dc.identifier.urihttps://hdl.handle.net/11244/15729
dc.description.abstractThe understated drama and wit of Edith Wharton's prose style have long fascinated me. An avid reader of short stories, I found many of Wharton's to be compact masterpieces in complexity of theme and characterization. But her novels--Ethan Frome, Summer, The House of Mirth, The Fruit of the Tree, and The Age of Innocence--captured my interest most completely. In these longer works, I sensed not only a variety and intensity of characterization, but a morality too distinctive to be dismissed as a mere "strain" or "undercurrent." I noticed that often, this ethical tone in Wharton's novels was more than a mute and passive presence; rather, it served to shape theme and to charge certain characters with a singular animation lacking in others.
dc.formatapplication/pdf
dc.languageen_US
dc.publisherOklahoma State University
dc.rightsCopyright is held by the author who has granted the Oklahoma State University Library the non-exclusive right to share this material in its institutional repository. Contact Digital Library Services at lib-dls@okstate.edu or 405-744-9161 for the permission policy on the use, reproduction or distribution of this material.
dc.title"Habitable Region": Morality's Place in Three Novels by Edith Wharton
dc.typetext
dc.contributor.committeeMemberWalkiewicz, Edward P.
dc.contributor.committeeMemberKlemp, Paul J.
osu.filenameThesis-1988-T948h.pdf
osu.accesstypeOpen Access
dc.description.departmentEnglish
dc.type.genreThesis


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