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dc.contributor.advisorWalker, Jeffrey
dc.contributor.authorLam, Dorcas Yarn-Pooi
dc.date.accessioned2015-06-17T20:06:40Z
dc.date.available2015-06-17T20:06:40Z
dc.date.issued2014-05-01
dc.identifier.urihttps://hdl.handle.net/11244/14953
dc.description.abstractDespite using two different narrative voices to construct the story in Bleak House, Charles Dickens nevertheless ensures unity within the novel by creating a self-contained narrative painting. The various linguistic and visual details that Dickens includes in Bleak House work conjointly to advance his narrative goal as he employs recurring images and symbolic motifs in both his textual narrative and the accompanying illustrations to form a thread that connects different parts of the story. These details often compel readers to engage more intimately with the story that he tells by allowing them to visualize and participate in the rhythm of his narrative. Through his artistic creation, Dickens exercises his narrative authority over readers by subtly shaping their perception throughout the novel.
dc.formatapplication/pdf
dc.languageen_US
dc.publisherOklahoma State University
dc.rightsCopyright is held by the author who has granted the Oklahoma State University Library the non-exclusive right to share this material in its institutional repository. Contact Digital Library Services at lib-dls@okstate.edu or 405-744-9161 for the permission policy on the use, reproduction or distribution of this material.
dc.title"I Know . . . Through My Eyes and Ears": Charles Dickens's Artistic Vision in Bleak House
dc.typetext
dc.contributor.committeeMemberGrubgeld, Elizabeth
dc.contributor.committeeMemberDecker, William M.
osu.filenameLam_okstate_0664M_13308.pdf
osu.accesstypeOpen Access
dc.description.departmentEnglish
dc.type.genreThesis
dc.subject.keywordsillustrations
dc.subject.keywordsnarrative technique
dc.subject.keywordsreader response
dc.subject.keywordsvisual motif


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