| dc.contributor.advisor | Wagner, Irvin L., | en_US |
| dc.contributor.author | Simmons, Shelbie. | en_US |
| dc.date.accessioned | 2013-08-16T12:20:22Z | |
| dc.date.available | 2013-08-16T12:20:22Z | |
| dc.date.issued | 2006 | en_US |
| dc.identifier.uri | https://hdl.handle.net/11244/1090 | |
| dc.description.abstract | The objective of this document is to examine fundamental Lutheran theology derived from the concepts of Martin Luther as they are manifested in three selected cantatas of Dieterich Buxtehude (1637-1707). The theological perspectives are based upon Luther's concepts of the dialog between the individual or community of believers with God against the Devil and of the dualism of Law versus Gospel. | en_US |
| dc.format.extent | v, 108 leaves : | en_US |
| dc.subject | Church music Lutheran Church. | en_US |
| dc.subject | Theology. | en_US |
| dc.subject | Music. | en_US |
| dc.subject | Buxtehude, Dietrich, 1637-1707 Criticism and interpretation. | en_US |
| dc.title | Dialog and dualism: A study of Lutheran theology applied to selected Buxtehude vocal cantatas. | en_US |
| dc.type | Thesis | en_US |
| dc.thesis.degree | D.M.A. | en_US |
| dc.thesis.degreeDiscipline | School of Music | en_US |
| dc.note | Adviser: Irvin L. Wagner. | en_US |
| dc.note | Source: Dissertation Abstracts International, Volume: 67-10, Section: A, page: 3649. | en_US |
| ou.identifier | (UMI)AAI3237520 | en_US |
| ou.group | Weitzenhoffer Family College of Fine Arts::School of Music | |
