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Mexican mission music :
(1984)
The Graduale is dated 1698. The Antiphonale was discovered in a seventeenth century mission. The manuscripts contain unique material. Ten percent of the chants in the Antiphonale are not included in either the Dominican ...
The effect of the use of a recorded soloist as an aid to the teaching of sight reading accompaniments at the piano /
(1984)
The study employed twenty-two third semester class piano students. The subjects were assigned randomly to experimental and control groups. Both groups were involved with this experiment for fifteen minutes of each class ...
The conducting of Gregorian chant :
(1984)
Within the Catholic Church, the singing of Gregorian chant has always been a form of liturgical prayer. However, when sung in a modern performance it assumes a position like other liturgical repertoire from succeeding ...
Class piano instruction in Junior Colleges Accredited by the North Central Association of Colleges and Schools /
(1984)
A major division of the study of the class piano instructor was to gather data concerning specified teaching competencies and skills. The results of that portion of the study revealed that the respondents viewed most of ...
The use of trombone in the Florentine intermedii, 1518-1589 /
(1984)
There do exist, however, contemporary accounts of performances in the Renaissance which confirm that instrumental participation was common in virtually all musical contexts. Some of the most detailed of these accounts are ...
Patterns of accentuation in the classical style as supported by primary sources and as illustrated in the late Masses of Franz Joseph Haydn.
(The University of Oklahoma., 1984)
This document concerns itself with aspects of late eighteenth-century performance practice, most notably, accentuation. The aspect of eighteenth-century style that is often neglected in twentieth-century performances is ...
Karlheinz Stockhausen's Klavierstuck XI :
(1984)
The analysis of the matrix system of serial polyphony resulted from the author's unaided study of Stockhausen's sketches. The duration proportion method of translating rhythm into pitch, however, was transmitted verbally ...
The identification and use of the Ave Maria Cantus firmus in sixteenth century motets /
(1984)
The purpose of this study was to search for and identify a specific Ave Maria cantus firmus that could serve as a core for possible use in Ave Maria motets throughout the sixteeenth century. The premise of the study was ...