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Now showing items 11-17 of 17
Categories of the self-conscious narrator in Wolfram, Dante, and Chaucer /
(1984)
These four categories may be discovered in each of these romances. Their presence indicates conscious efforts by these narrative poets to manipulate complex audience/text/narrator interaction. The sophistication of the use ...
The influence of the art of mediation on Sir Thomas Browne's imagination.
(1980)
The art of meditation allows Browne the freedom to construct the enigmatic persona, the "I" which is immersed in subjective consideration of the mysteries of life and the "I" which contemplates these mysteries with objective ...
Peckinpah's families :
(1983)
Through the use of biographical criticism, historical criticism and myth criticism, the study established that Peckinpah does in fact work out his theses on the human condition through examination of actual traditional ...
The religious quest of Theodore Roethke.
(1980)
Struggling to discover the truth of his identity--of self--of life, and of God, Theodore Roethke turned to mysticism for, if not answers, at least approaches to answers. An important influence on his perception of mysticism, ...
Jane Austen, Henry James, and the family romance.
(1980)
Both authors' closest attachments were to parents, brothers and sisters, and their work focuses largely on family relationships. They also share a preference for one particular story, the Cinderella fairy tale. In Pride ...
Thomas Randolph (1605-1635) :
(1982)
The difference between shows and plays, especially at the universities, and the nature of the revels for which most university drama was written before 1640, are examined here to put Randolph's shows and plays into their ...
The importance of the visual arts in the esthetic of W. B. Yeats.
(1980)
Yeats's interest in the visual arts was not just an early phase, ending when he left art school, but rather a lifetime concern that affected him in many ways. Not only did artists and art critics have a shaping effect on ...