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Now showing items 91-100 of 191
The whole conductor: Weston Noble's philosophies on the psychology of conducting and musicianship.
(1998)
Based upon elements of psychological theory, Noble has focused his artistic and educational objectives on the concept of exploration of the subjective side of the musical art. This approach has enabled him to achieve ...
A pedagogical guide to the 25 Etudes melodiques Opus 45 of Stephen Heller.
(2001)
This document consists of an introductory chapter followed by four chapters. The Introduction, Purpose of the Study, and Need for the Study in Chapter I provide a brief overview of Stephen Heller's life and the importance ...
Conducting musical shape.
(1999)
What is "shape" in conducting music? Shape is that which creatively exposes and actualizes in performance the organization or lack thereof of all intrinsic elements within a given score. Conductors imaginatively bring shape ...
The use of trombone in the Florentine intermedii, 1518-1589 /
(1984)
There do exist, however, contemporary accounts of performances in the Renaissance which confirm that instrumental participation was common in virtually all musical contexts. Some of the most detailed of these accounts are ...
Requiem for Prometheus :
(1982)
The score calls for two ensembles placed in the pit and on stage/backstage. Its total instrumentation is: On stage / backstage. two flutes, two B('(FLAT)) clarinets, one B('(FLAT)) clarinet, two B('(FLAT)) trumptets, two ...
Carlos Guastavino's song cycles "Las Nubes" and "Cuatro Sonetos de Quevedo": The relationship of text and music.
(2000)
Chapter Two is a biographical sketch of Carlos Guastavino; topics include his early years and musical influences, his professional training and musical influences and ideas. Chapter Three is an analytical study of the text ...
Irish music in central Oklahoma: An ethnographic study.
(2006)
Based mainly on fieldwork conducted in the Oklahoma City and Norman areas over a three-and-a-half year span (2002--2006), the research material for this dissertation has been gathered primarily through the author's ...
Selected solo piano works by contemporary Malaysian and Indonesian composers from 1979 to 2007: An introduction.
(2007)
The appendices provide an unofficial list of known solo piano works by Malaysian and Indonesian composers, as well as a list of piano works by other composers who have been influenced by the music or culture of the region.
Awake O Joy :
(1983)
Awake O Joy, a single movement trio for flute, viola, and piano, is written in a neo-romantic style emphasizing careful crafting of thematic relationships. Generally fast in tempo, it is set in an arch form of easily ...