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Preparing choral voices for historically guided vocalism in the Renaissance, Baroque, Classical, Romantic, and Contemporary styles.
(2005)
The purpose of this study is to propose a historically guided approach to timbre, volume, vibrato, and pitch in the performance of choral repertoire. This is accomplished in part by documenting primary sources that suggest ...
The acoustic interaction of voices in ensemble: An inquiry into the phenomenon of voice matching and the perception of unaltered vocal process.
(2002)
For Group 2, acoustic placement alone provided the best alliance of acoustic analysis and auditor/singer preference, at a rate of 50% each for close and lateral spacing. Attention to acoustic placement alone was shown to ...