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Now showing items 151-160 of 228
Identification of percussion performance techniques in the standard orchestral percussion repertoire /
(1983)
Chapters III through IX provided a brief discussion of the various orchestral percussion instruments' history and physical characteristics as well as a summary of their basic performance techniques. Various passages from ...
Michael Head: His contributions as composer, performer, educator with an analysis of selected solo songs.
(2002)
The purpose of this study was to investigate the life and work of Michael Head and to document his contributions to music education. During the course of the study, answers were sought to the following questions: (1) What ...
An electromyographic examination of wrist motion while executing selected drumstick techniques with matched grip.
(1999)
Using surface electromyography, this study examined the activity of flexor carpi u1naris and extensor carpi u1naris during execution of drumstick single, double, and buzz strokes. Subjects included 9 male and female ...
Sieben Lehmannlieder by Thomas Pasatieri :
(2000)
The study is divided into six chapters. The first chapter establishes the parameters: the introduction, the purpose, procedures for the work, a review of the related literature and an outline of the proposed study. Chapter ...
Approaches to Bartok's Contrasts: A Collection and Comparison by Clarinet Artists
(2013-12-13)
The purpose of this study is to broaden the knowledge of an important work in the clarinet repertoire, Contrasts, Sz. 111, for violin, clarinet and piano, by Bela Bartok. The method chosen for this study is the collection ...
The status of instrumental music at the laboratory schools in the United States /
(The University of Oklahoma., 1968)
Usage and development of piano method books in Taiwan: Interviews and observations with piano teachers.
(2004)
Several results imply that Taiwan's piano education circle has gradually changed from pianistic technique-based lessons to emphasizing the integrity of music learning. Teachers' strong tendency of combining different methods ...
Pedagogically Semi-Equivalent Repertoire Analogies: Soprano Fach
(2021-05-14)
For decades, conservatories have divided singing into two tracks: classical (voce chiusa) or musical theater (CCM). Young singers are forced to decide which track they will continue on—seemingly for the rest of their ...