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Now showing items 121-130 of 228
Requiem for Prometheus :
(1982)
The score calls for two ensembles placed in the pit and on stage/backstage. Its total instrumentation is: On stage / backstage. two flutes, two B('(FLAT)) clarinets, one B('(FLAT)) clarinet, two B('(FLAT)) trumptets, two ...
Carlos Guastavino's song cycles "Las Nubes" and "Cuatro Sonetos de Quevedo": The relationship of text and music.
(2000)
Chapter Two is a biographical sketch of Carlos Guastavino; topics include his early years and musical influences, his professional training and musical influences and ideas. Chapter Three is an analytical study of the text ...
Irish music in central Oklahoma: An ethnographic study.
(2006)
Based mainly on fieldwork conducted in the Oklahoma City and Norman areas over a three-and-a-half year span (2002--2006), the research material for this dissertation has been gathered primarily through the author's ...
Selected solo piano works by contemporary Malaysian and Indonesian composers from 1979 to 2007: An introduction.
(2007)
The appendices provide an unofficial list of known solo piano works by Malaysian and Indonesian composers, as well as a list of piano works by other composers who have been influenced by the music or culture of the region.
Awake O Joy :
(1983)
Awake O Joy, a single movement trio for flute, viola, and piano, is written in a neo-romantic style emphasizing careful crafting of thematic relationships. Generally fast in tempo, it is set in an arch form of easily ...
The use of imagery, mental practice, and relaxation techniques for musical performance enhancement.
(2005)
This document presents information on how imagery, mental practice, and relaxation techniques may be used by musicians and music teachers to enhance performance. In the present study, imagery was defined as a mental process ...
Leon Russianoff :
(1983)
Perhaps the most difficult obstacle that Russianoff had to overcome on his way to success was his pervasive inferiority complex. Russianoff never believed that he had the innate talent required to be a first-rate performer. ...
A comparison of thematic and episodic analyses of the Bach Two-Part Inventions.
(1980)
Sources from which the data was drawn were limited to counterpoint texts and an analysis of all fifteen Inventions. Three counterpoint texts were found to qualify: Applied Counterpoint (1902) by Percy Goetschius, Counterpoint ...
Trends in piano pedagogy as reflected by the proceedings of the National Conference on Piano Pedagogy (1981-1995).
(1998)
The topics most frequently addressed at the Conference were Practice Teaching (20.5%), Pedagogy Curriculum Program (18.0%), Technology (16.6%), Learning Theories (15.2%), Literature (13.1%), and Performance (12.0%). Among ...
The piano concertos of Paul Hindemith.
(2007)
Despite Paul Hindemith's prolific output, little has been written about his piano concertos. Today, the two piano concertos, Kammermusik No.2, Op. 36 No. 1 (subtitled Klavierkonzert; also known as Concerto for Piano Obbligato ...